Jacknof

I am making a practice track for a dance class with spoken counts over generated instrumental backing. A buzzing texture appears during the opening bars, close to the first movement cue. The recording is intended for learning a sequence, with clear timing as the main requirement. I encountered <a href=https://removeaudioartifacts.top>remove suno artifacts</a> while researching the buzz, and I want to evaluate any processing against that practical requirement. A reduction in buzzing might help, but I still need to establish whether the timing cues survive any processing. Would a complete phrase following the spoken counts provide a useful test at ordinary class volume? Holding the spoken layer fixed should make changes in the backing easier to judge. My listening notes would cover rhythmic attacks and the clarity of the downbeat alongside the unwanted texture. How would you judge whether reduced buzzing was worth a change in the movement cues?